Its frigid cold outside and I have been lodged on to this couch for the last few days, literally. I get swift smoke breaks every couple of hours or get up to go use the bathroom. I gaze outside the moist and foggy window and see some Mexicans cooking some thing on their grill with beer bottles wrapped in brown paper bags in their hands.

My sister looks and snitches her nose and says, “ Feri Gai ko Masu Pakayo Mora Haru Le “.

On the other hand I wanted a beer so bad and that beef looked rather tasty. Its time for a smoke break again. I still had about a carton of Sikhar Cigarettes from back home. The guys grabbed the entire carton claiming they were craving home made cigarettes, so I let them have the Surya.

I yelled out, “Didi, I’m going out for a little walk inside the complex”.

She yelled back “Its cold put on something warm”.

As I walked down the stairs the Mexicans stopped talking and stared at me. I gave them a half way smile and walked away with no further eye contact.Both of them looked like they were in their mid-twenties and dressed alike, in khakis and white t-shirts. I headed towards the Laundry room. It was too cold to be smoking outside, the wind made it even worse; it felt like it would slice you up if you stayed out long enough.

The laundry room had the heat on but had a big No Smoking sign at the door. There were two older ladies chit chatting, waiting for their clothes to dry up and one of them was smoking.

I thought I’d ask and as she took notice of me entering I asked “Can you smoke in here? “.

She swiftly replied, “Baby, I ain’t going out in that cold, “and continued her conversation with the other lady.

I pulled out my Sikhar and lit one up. I stood close to the door to let the smoke out and it made me feel like I wasn’t actually smoking inside the room. It started to drizzle a little bit and it was getting dark quickly. I pulled my hoodie on and started walking towards the building.All those buildings looked the same had it not been for the numbers and of course I could follow the smell of that grill.

All of a sudden I hear the ground under me rumble to a steady beat . I turned my head around and it was a White Cadillac with tints on its windows and hip-hop music playing with all its might. It rolled past me slow. It almost stopped as if to check who I was. It was dark outside and the tints made sure i could not she who was inside. But it moved on and took the turn around the corner. I took about ten steps jumping over little puddles of water, almost running for some weird urgency that crept inside me.

Right when I was about to take that turn I hear ‘thud-thud-thud’ and the sound of tires squeaking on the wet concrete. My first instinct was to duck because I did not exactly know where this was happening. I waited for about a minute to access the situation and took off running towards the apartment instinctively.

As I approach the stairs,a smell of burnt meat filled the air and there lay the same two Mexicans on the wet winter floor in a pool of blood.

I ran franticly without looking back.

I reached the doorstep and the door opened even before I could knock.

“Where have you been, did you hear what I heard? “

She kept on going on about how she never wanted to move to this neighborhood in the first place.

“We are moving to Boston soon, where Maya didi and her family live”, she rushed to check on the baby who was sleeping in the bedroom.

I sat on the same sofa speechless and wet. I Gazed out that same murky window, now in my sight were, fire trucks and police cars with their red-blue lights on.

Caught a Lightning in the Distance.

“Dude you are always facing problems, everyday, it’s all because you don’t pray”,Mr.X my employer almost says that to me everyday.

Is he threatening me or is he just making a suggestion?

He was brought up in an affluent Islamic family by a single mom who pretty much made it so far without a man in her life, in a foreign land. She pulled through rooted in her strong beliefs and passed those beliefs on to them.Both he and his brother turned out to be fine young men, Mr.X rather immature at times however. I grew up a middle class Brahmin kid with religion all around me but none of those factors influencing me the way they were installed in Mr.X.

He asks me at times what do you believe in. I have no answer for him. He jokes the elephant god “Ganesha”?

The concept of 33 million gods is beyond his and my grasp.So i do not even bother explaining.What do we Hindus believe in really?Honestly, I really do not know.

Christians believe in Jesus, Muslims believe in Allah, What the fuck do I believe in?

Shiva ? Bramah ? Vishnu ? Ganesh ? Ram ? Krishna?

Who is my god?

This is too confusing, but I really do not need an answer neither.

He keeps pushing the ideology that all that he has is due to the blessing of god upon him and his family. Is it really? Isn’t it because you were born in a rich family and you have more time than I do to think about god? And isn’t the lack of anxiety and worry your reason of thanking god? Half the time that I am conscious, I am thinking of how to make that next bill and countless other things that make living a constant struggle for me. A lot of times I thought may be it is the lack of godly presence that has made me see these days of struggle and misfortune. Thus, I paused and I prayed. I closed my eyes and prayed. I cried in silence. But I am not as patient as I probably should have been, but the irony is, I begged ‘god’ for patience and strength to believe in him.

I respect an individual’s right to be religious and follow a lifestyle. But I do not believe hypocrites and these God Goons either. Who say they are on the road that god created for them and consciously veer on to allies commit their ‘sins’ and merge right back into that road like they never sidetracked. At least I do what I do and I have no regrets. I do not claim to be an atheist but I am yet to meet an individual or encounter anything that could inspire me to believe in the existence of god in a logical way, the way I crave to understand him in. Till then god remains in my intellectual curiosity and these fuckin’ God Goons keep on taunting me.


Tracklist:
1. Inflikted
2. Sanctuary
3. Terrorize
4. Black Ark
5. Ultra-Violent
6. Hex
7. The Doom Of All Fires
8. Bloodbrawl
9. Nevertrust
10. Hearts Of Darkness
11. Must Kill
Playtime: 42:29

Line Up:

Rhythem/ Vocals :Max Cavalera (Sepultura, Soulfly, Nailbomb)

Drums: Igor Cavalera (Sepultura)

Lead Guitar :Marc Rizzo (Soulfly)

Bass :Joe Duplantier (Gojira )

Max Cavalera and the rest of Sepultura has always had a special spot in my metal heart. I enjoyed Nailbomb and Soulfly had its moments – was a delight watching them live. Never  really followed Sepultura material after Max left the band. What brought the two inconsolable brothers together was a Dana Tribute show (Dana is Max’s slain stepson). Max is somebody that i consider a true artist from the soul and within ,he seems to glow when Igor takes the drums to back him up. Soulfly did not possess that charm that this outfit does. Max sums it up as … “I’m crazy. I used to drink. I talk. He is quiet. He (Igor) has never drunk before. It’s this weird combo that becomes lethal together. You either like it or hate it, but you can’t ignore it. We’re like a bomb.”

Rex Brown from Pantera and Down cameos on bass on one track, and another track features a collaboration with Max, Gloria and Max’s stepson Richie Cavalera (of Incite) on vocals. Lets take this the way i like to do it Song by song ..

Inflickted : The intro to this song kinda reminds me of ” Prophecy ” and lyrically Max will always be Max, a rebellious profanity-ridden poet. The song takes a melodic turn at 1.22 and rest of the song is a little drag lyrically. Rizzo’s solo keeps things alive and the “Nobody move, Nobody gets hurt” chorus kinda sums up the theme of the song.

Sanctuary : Now this is what i have been waiting for, out and out thrash song just like the old days. Almost sounds like something out of “Arise” . Awsome riffs and the solo at 1.45 will take any Sepultura fan into nostalgia. Some seriously clean thrash drumming and the portion from 1.08 to 2.34 is to kill for. I have been repeatedly looping it and head banging to it as i write this. This is one of the best tracks from the album.

Terrorize : The drum intro to this is almost SAMBAish. But be not fooled for Cavaleras are Conspiring! This is another thrash delight. One thing very noticeable is the use of short and powerful solos through out the album. Love Max’s vocal , always have but his distinct and death-ish growls are his trademarks. It has a old school feel to it and the band dedicates this song appropriately to Jesse Pintado of Terrorizer and Napalm Death.

Black Ark: The intro is all out Soulfly but the song is a sweet reminder to what the Caveleras are capable of doing if they put their heads together. This album progresses in quality as the tracks move on. You can notice a third Cavalera in the line up -Ritchie Cavalera ( Max’s Stepson) and the dude is surely following the footsteps of his dad and uncle. Max’s vocals on this song is off the hook, I love his clean cut growls. Sick bastard and that slight accent makes it even more joyous to hear. The solo on this track is phenomenal , very unique and uncharacteristic, overall a unique and powerful song.

Ultra-Violent : This song was co-written by Joe Duplantier (Gojira ) and the riff just gives it away. You can hear Joe Duplantier’s presence all over this song. If you have heard Gojira material you will know what i am talking about- that distinct Gojira groove. Song turns a lot more thrashier later and again i have to highlight the powerful short solos by Rizzo. And if you wanna crush your soul for under a minute turn the volume up after 3.12 and kill something. I would love to find out what part Rex Brown (Pantera) played on this track because it only says he did a cameo.

Hex : I’m telling you this album gets better by the song . Hex is another delight for the old-school Sepultura fan with ball-crushing speed and immaculate execution of pure trash.

The Doom Of All Fires : Rizzo has pleasantly surprised me in this album. This is another  well composed thrash songs.Nothing exquisite about it but its a good song overall. But Igor’s Kick drums and furiously fast hands along with some killer solos make it appreciable.

Bloodbrawl : Groovy catchy Soulfly-ish song. Again and again the solos are sweet, to the point and not overly fabricated. The outro is another pleasant surprise, melodic-acoustic- tribal-ish just proving the array of musicianship that went into this record.

Nevertrust : Lyrically this is the best song in the record, though it is just a list of things Max hates, most of the metal-heads will agree. Let me highlight the lyrics:

nevertrust – the emo kids…

nevertrust – the sellouts

nevertrust – in jihad

nevertrust – the cowboy
nevertrust – the redneck
nevertrust – the fall out boy
nevertrust – their fake asses

Just the genius of Max. Song wise its a Punkish-thrash song basically revolving around the lyrics. Killer outro solo.

Hearts Of Darkness : Loved the galloping intro-riff. Rizzo at this point is starting to remind me of Marty Friedman and his work on Rust in Peace. Not as elaborated as Marty yet very crafted and accurate. That almost classical sounding pitch. A fast paced song just another delight out of the Inflikted Package.

Must Kill : Nothing extraordinary about the song over the facts i have already mentioned but it sure is not boring at any point. Has a Chaos AD sound to it. And to my ultimate hilarity …..Oh my fuckin’ god….the oh so famous distinction of Max -The HOLY- ” Un..Dos…tres…quatr” before the final breakdown riffs.

For a fan of good old thrash music coupled with a touch of modern ingenuity , Inflikted stands as a proof of the very existence of Heavy music in this industry full of imposters. The so called “Purists” will disagree and they they can shove what ever purity they are talking about up their asses, but its 2008 and the time stamp will influence the art. When i listen to “Bestial Devastation” or Morbid Vision” it automatically registers in my head as a classic because it was ‘then’ when things were not as advanced as it is today and it was relevantly heavy ‘then’ and thus, those records made history. You still find that purity of making a genuinely heavy metal record in “Inflikted”. It may not be the best but surely is a pillar that keeps heavy music alive. Fans will drag ticks-taks from here and there based upon the history of the line up or have presumed biases but boy it sure was a delightful 42 minutes of heavy music to me.

Rating : 4.5/5

  1. “Coil” – 3:10
  2. “Heir Apparent” – 8:50
  3. “The Lotus Eater” – 8:50
  4. “Burden” – 7:41
  5. “Porcelain Heart” (Åkerfeldt, Åkesson) – 8:00
  6. “Hessian Peel” – 11:25
  7. “Hex Omega” – 7:00

Having a band that you adore so close to your heart is like having kids; you end up expecting way too much from them. I cannot see how one can follow up with two classics like ‘Blackwater Park’ and ‘Ghost Reveries’. When I went to see Opeth in 2005 I had only heard ‘Still Life’ and ‘Blackwater Park’ and admired them as a group. But when I heard ‘Ghost of Perdition’ played live my jaw dropped to the floor. I remember they closed the show with “Atonement” and that eerie melody has haunted me since. It hit the sustain button in my head and I could not get that melody line out of my head. Every time I put that song on, I feel like my skin is indeed pealing off and I am disintegrating.

I mentioned all this to illuminate the kind of mastery I am expecting as an Opeth fan from their new album “Watershed”.

From the get go I have a bad taste in me with the name “Watershed” which sound very cliché but I am not trying to be so hypercritical, so quickly.

Coil - A new taste to Opethic sound with the presence of female vocals. I kind of wondered at times if Opeth would use such diversity in the days to come and they did right here. And I am concluding it’s an ‘alright’ thing. The first song sort of sounds like some old Opeth song or a Lacuna Coil song. Next.

Heir Apparent – If it was not for the low keyed slow melodies in between this song reminds me of Emperor for some reason. I think Mikael Åkerfeldt has worked with Ihsahn from Emperor and may be the veteran of the art influenced Mikael. This track is what keeps the hope alive, heavy –melodic- great solos and overall a very well composed song. The solo at 4.52 has a Pink Floydish sound to it. Awesome acoustics and at the same time killer bridging between soft melodies and heavy riffs.

The Lotus Eater – Do not let the title of the song fool you. Even though the track starts with a creepy whine of some sorts it lunges into a fast paced melodic song. The vocal on Opeth songs has always been an awe factor for me. Mikael’s range is phenomenal from deep grunts to the most soothing melodies you will ever hear on one track. This track features new vocal styles with layers of backing vocals and some unheard of effects and voiceovers on the outro. The likable thing about any Opeth song is its experimentations and progressions and at 5.49 this songs takes a Jazzy sound all of a sudden. Per Wiberg’s key work is unique on this record, almost jazzy and at times bluesy. I can see this track sinking in me slowly.

Burden – Notice the key work on this track, it has an old rock n roll sound to it somewhat like what you’d hear on an old Deep Purple record. Not much of a heavy song but the vocals and backing vocals on it are soothing like lullabies. It has a bluesy solo and some noticeable acoustic portions. The outro sounds like its been played on an off tuned guitar and it ends with a weird laughter almost to mock the listener saying ‘I did that on purpose’.

Porcelain Heart – I almost fell asleep and had sever urges to hit the skip button on this song. But since I was reviewing I smoked a cigarette and heard it through. It sounds like a song I already heard on older Opeth records. Next.

Hessian Peel – I wished they had just cut the first 5.30 portion of this song and just started off at 5.30. Its 11.25 minutes of pure boredom. I did not find any remarkable aspects on this song.

Hex Omega- This song has almost a haunting feel to it. A saddening fall into deep depression of some sorts. Even though its another slow song this track sounds more fresh than the previous two. I kind of miss the fact that Martin Lopez is missing in the line up. The whole record lacks that jazzy drumming style of Lopez.

Even though this Record has its moments and its blemishes it does not satisfy to the fullest. I would call this an average record given the kind of work we have seen from Opeth in the last decade. Its missing the creative innovations that is so apparent in older records. A lot of commercial success might be a factor. I cannot stand the fact that this disease creeps into every band that starts off with some finest pieces of music and over time they lose that beginner’s sting, that fresh out of the underground sound. But it’s all a part of the band evolution I assume. I hope Opeth does not turn into ‘some kinda monster’ because with all the line up changes and the front man syndrome creeping in, this band is a jewel to lose to that same old disease.

Rating : 3/5

 

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